Bobble in Moscow, January 25-26, 2010!

Bobby McFerrinís latest expansion of the known universe: Bobble, an improvised opera with a wordless libretto, will be presented in Moscow on January 25 and 26, 2010 by the Musical Olympus Foundation This new project gives Bobby a chance to collaborate with other voices, welcoming local talent and influences. In this 90-minute a cappella stage show, Bobby and a cast of 16 singers, reflecting a panoramic vista of influences and traditions, re-enact the plight of the citizens of Babel and their struggle to find a common language. Through music, spontaneously composed and conducted by Bobby, they learn to listen and to hear each other.

Our incredible cast for the Moscow production:

  • Bobby McFerrin
  • Marina Sabianina (Moscow)
  • Christiane Karam (Lebanon/Boston)
  • Brenna MacCrimmon (Toronto/Istanbul)
  • Bori Magyar (Budapest)
  • Gaya Arutyunyan (Budapest)
  • Pelagea (Siberia/Moscow)
  • Tina Kuznetsov (Moscow)
  • Nino Katamadze (Georgian Republic)
  • Marta Ruiz Villamil (Cuba/St. Petersburg)
  • Edson Cordeiro (Brazil/Germany)
  • Andrey Mongush (Tuvan Republic)
  • Bulat Gafarov (Moscow)
  • Adam Matta (New York)
  • Andreas Schaerer (Germany/Zurich)
  • Vladimir Kryzhanovsky (Moscow)
  • Sergey Sarostin (Moscow)
  • Joey Blake (Boston)

1,978 Posts to “Bobble in Moscow, January 25-26, 2010!”

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    Editor’s Note: Call to Earth is a CNN editorial series committed to reporting on the environmental challenges facing our planet, together with the solutions. Rolex’s Perpetual Planet Initiative has partnered with CNN to drive awareness and education around key sustainability issues and to inspire positive action.

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    Crashing waves, glistening sea spray, a calm expanse of deep blue. These are the images that open “Ocean with David Attenborough,” the veteran broadcaster’s latest film. After decades of sharing stories of life on our planet, he tells viewers that: “The most important place on Earth is not on land but at sea.”

    The film — released in cinemas today and available to stream globally on Disney+ and Hulu in June — coincides with Attenborough’s 99th birthday, and describes how the ocean has changed during his lifetime.
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    “Over the last hundred years, scientists and explorers have revealed remarkable new species, epic migrations and dazzling, complex ecosystems beyond anything I could have imagined as a young man,” he says in a press release. “In this film, we share those wonderful discoveries, uncover why our ocean is in such poor health, and, perhaps most importantly, show how it can be restored to health.”

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    But the ocean also faces terrible threats. The film was shot as the planet experienced an extreme marine heatwave and shows the effects of the resulting mass coral bleaching: expansive graveyards of bright white coral, devoid of sea life.

    Extraordinary footage shot off the coast of Britain and in the Mediterranean Sea shows the scale of destruction from industrial fishing. Bottom trawlers are filmed towing nets with a heavy chain along the seafloor, indiscriminately catching creatures in their path and churning up dense clouds of carbon-rich sediment.

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    Crashing waves, glistening sea spray, a calm expanse of deep blue. These are the images that open “Ocean with David Attenborough,” the veteran broadcaster’s latest film. After decades of sharing stories of life on our planet, he tells viewers that: “The most important place on Earth is not on land but at sea.”

    The film — released in cinemas today and available to stream globally on Disney+ and Hulu in June — coincides with Attenborough’s 99th birthday, and describes how the ocean has changed during his lifetime.
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    “Over the last hundred years, scientists and explorers have revealed remarkable new species, epic migrations and dazzling, complex ecosystems beyond anything I could have imagined as a young man,” he says in a press release. “In this film, we share those wonderful discoveries, uncover why our ocean is in such poor health, and, perhaps most importantly, show how it can be restored to health.”

    The feature-length documentary takes viewers on a journey to coral reefs, kelp forests and towering seamounts, showcasing the wonders of the underwater world and the vital role the ocean plays in defending Earth against climate catastrophe as its largest carbon sink.
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    But the ocean also faces terrible threats. The film was shot as the planet experienced an extreme marine heatwave and shows the effects of the resulting mass coral bleaching: expansive graveyards of bright white coral, devoid of sea life.

    Extraordinary footage shot off the coast of Britain and in the Mediterranean Sea shows the scale of destruction from industrial fishing. Bottom trawlers are filmed towing nets with a heavy chain along the seafloor, indiscriminately catching creatures in their path and churning up dense clouds of carbon-rich sediment.

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  4. MichaelHew says:

    There’s a ‘ghost hurricane’ in the forecast. It could help predict a real one жесткий анальный секс A scary-looking weather forecast showing a hurricane hitting the Gulf Coast in the second half of June swirled around social media this week—but don’t panic. It’s the season’s first “ghost hurricane.” Similar hype plays out every hurricane season especially at the beginning: A cherry-picked worst-case-scenario model run goes viral but more often than not will never come to fruition. Unofficially dubbed “ghost storms” or “ghost hurricanes” these tropical systems regularly appear in weather models — computer simulations that help meteorologists forecast future conditions — but never seem to manifest in real life. The model responsible this week was the Global Forecast System also known as the GFS or American model run by the National Oceanic and Atmospheric Administration. It’s one of many used by forecasters around the world. All models have known biases or “quirks” where they tend to overpredict or underpredict certain things. The GFS is known to overpredict tropical storms and hurricanes in longer-term forecasts that look more than a week into the future which leads to these false alarms. The GFS isn’t alone in this — all models struggle to accurately predict tropical activity that far in advance — but it is notorious for doing so. For example the GFS could spit out a prediction for a US hurricane landfall about 10 days from now only to have that chance completely disappear as the forecast date draws closer. This can occur at any time of the year but is most frequent during hurricane season — June through November. It’s exactly what’s been happening over the past week as forecasters keep an eye out for the first storm of the 2025 Atlantic hurricane season. Why so many ghosts? No weather forecast model is designed in the exact same way as another and that’s why each can generate different results with similar data. The reason the GFS has more false alarms when looking more than a week out than similar models – like Europe’s ECMWF Canada’s CMC or the United Kingdom’s UKM – is because that’s exactly what it’s programmed to do according to Alicia Bentley the global verification project lead of NOAA’s Environmental Modeling Center. The GFS was built with a “weak parameterized cumulus convection scheme” according to Bentley. In plain language that means when the GFS thinks there could be thunderstorms developing in an area where tropical systems are possible – over the oceans – it’s more likely to jump to the conclusion that something tropical will develop than to ignore it. Other models aren’t built to be quite as sensitive to this phenomenon and so they don’t show a tropical system until they’re more confident the right conditions are in place which usually happens when the forecast gets closer in time. The western Caribbean Sea is one of the GFS’ favorite places to predict a ghost storm. That’s because of the Central American gyre: a large disorganized area of showers and thunderstorms that rotates over the region and its surrounding water.

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